Check out my project site, www.paracartography.com which has 22 new cartographic animations, Returning Full Circles, which are now open to viewing as of February 12, 2007. These run on Quicktime (average size 1.5mB) and do load faster with broadband connections, but they can also be scrolled manually backwards and forwards as well as looping automatically. Much thanks to Stephen Evans and Scott Marshall for helping me with these!
I’m also opening a two-person show, “Projections” with fellow MFA student Luba Diduch at the Little Gallery, University of Calgary Art Department, on display from February 12th to 16th, with an opening reception on Wednesday February 14th from 4:30 - 6:30 PM. Pictures will be uploaded soon.
February 12th, 2007
I’ve been invited to present an Art History paper at the English Conference at Stony Brook University, Manhattan, February 16th-17th 2007. It is titled: Canadian Artist-Run-Centres and Emergent Cultural Policy. Here’s an abstract:
Contemporary artist-run organizations in Canada have developed as cooperatives, parallel galleries, artist-run exhibition spaces, production centres and dissemination agencies, tracing a course between the (often utopian) objectives of their inception and the more prosaic demands of their ongoing administration. In this paper I examine three prominent Canadian ARCs: The Western Front (Vancouver), A Space (Toronto), and The New Gallery (Calgary), as examples of long-established, quasi-autonomous artist organizations with roots in the early 1970s, each of which characterize different tendencies in the schematic of the community-based network, or as ever-emergent institutions in competition for public funding. Their longevity is underwritten by mixed fortunes in organizational stability, differing degrees of approximation to the canonical ‘centre’ of Canadian conceptual/ post-conceptual art history, and by their positions against the backdrops of Multiculturalism, Feminism, Post-Colonialism, Anti-Racism and Queer Politics. The problematic of Artist-Run Centres’ existence as both community-based organization and apparatus for national cultural exchange, and as beholden to the paradigms of the very cultural institutions to which they were originally conceived as ‘the alternative,’ are evident in differing ways throughout this paper. Forced relocations, disputed views of community and burned-out personnel characterize this history. Within this milieu of organizational failure, the continuing re-emergence of ARCs in many ways negotiates the conditions of inoperative community as proposed by Jean-Luc Nancy. ARCs, as Clive Robertson suggests, are best described as an apparatus, the breaking and reassembling of which is often necessary to fulfill the conditions of their primary purpose.
January 22nd, 2007
Here is a sample of some of the new ideas I’m exploring with animation.
January 7th, 2007
Welcome to my new site. I’ve added some new artwork that can be found here.
October 22nd, 2006
